There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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19 March 2025ShareSave
表面看，这是蔚来技术实力与资本运作的双重胜利，是掌控智能汽车“心脏”的关键一步；但剥开这层叙事，背后却是李斌在现金流告急与智驾军备竞赛双重压力下，一次充满焦虑的战略性防御。
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